Content notes: onstage stabbing, use of prop guns, discussion of race based violence and racial micro-aggressions.
In a play where the main character has the same name as the playwright, and that character has a fever dream, well it's hard not to describe the show as something of a fever dream.
I am going to confess that despite being a musical lover, I have never seen "The King and I". I have seen "The Book of Mormon" which is a similar white person goes somewhere to teach some non-white people that they are wrong and eventually they both learn from each other plot.
So a flipped version where a person of color, an Asian person comes to teach the Queen of the US sounds cool. Except our leaders are elected and in 2016 we did not elect a queen.
So when the playwright character gets stabbed and passes out, he dreams of a version of himself meeting the producer who hires him to write the show, and they then meet a Hillary Clinton who is running for President.
The show is a fever dream and yet, like some dreams where you wake up and go, yep, I know where that came from, it's not wrong. It's weird, but interesting. It gets at the exhausting way we handle our democracy. There's a song about the electoral college that has a supreme court justice dancing with a sparkly gavel. Every gun used is painted a bright red, white, or blue. It also finds time to talk about assimilation, heart vs duty, and the things we learn from our parents.
The cast was wonderful. Daniel May captured the optimism and duty of Xue Xing. And Grace Yoo sang and danced her butt off as Hillary Clinton.
There's an interesting choice during two numbers that involved tapping, to have instrumental tapping, which I would love to know the story behind. The answer may well be, it was a dream. Dreams are weird.
Note: I attended a masks required show.